Sunday, November 16, 2025

Let's Watch This: "Aladdin and the Adventure of All Time" (2000)

NOTE: Please do not take any of the little nitpicks in this review (or any of my other reviews, for that matter) seriously. I write these reviews in the hopes of making people laugh. Those nitpicks are really just dumb little observations that I'm attempting to make jokes out of, not complaints that add to whether or not I like something.

NOTE #2: No disrespect is meant towards anyone who worked on the movie I am reviewing today. I'm sure they are all very nice and talented people.

NOTE #3: If you like this movie, that is great. Go ahead and like it. I'm not judging you.

I know what you're thinking: "was there a fourth Aladdin movie that I don't know about?". Well, the answer to that is no. No, Disney did not make a fourth Aladdin movie (the live action remake doesn't count). This movie has nothing to do with Disney, though its adaptation of Aladdin is likely the only reason it exists.

Aladdin and the Adventure of All Time is a Filipino-American direct to video movie directed by Cirio H. Santiago. It has been saved from falling into obscurity by Phelous' review of it which I hadn't seen beefore writing this, so any similarities between my review and his are completely coincidental. And wouldn't you know it? The whole thing is on YouTube! And the description reads as follows: "What if Aladdin, The Pagemaster, Beauty and the Beast, and Bill & Ted's Excellent Adventure were blended, animated like the CD-I games, and brought to us by the guy who gave us half of the Mystery Science Theater movies? You'd get pure hilarity in this cult classic animated movie!"

So... yeah, not exactly filled with confidence. If nothing else, it has a great voice cast... Cathy Cavadini, E.G. Daily, Jim Cummings, Ed Gilbert... but as previous movies  we've reviewed on this blog like Delhi Safari and The Nuttiest Nutcracker show, good voice casts do not automatically equal good movies. But hey, have obscure animated film, will review. Let's hop a carpet and fly to another arabian night. This is Aladdin and the Adventure of All Time.

The movie begins in a heirlooms shop. As he dusts all the crap he has in stock, the shopkeeper says, "Most fairy tales begin with four magic words: 'Once upon a time'. But the story you're about to hear happened more than once. It happened more than twice. In fact, somewhere, it's still happening. Over and over again. That's because this story is about time itself. And time has no ending. But it DOES have a beginning. And the beginning is as good a place as any to start a fairy tale..."

This is where the film's first problem rears its ugly head - the animation is lousy. That comparison to the CD-I games (y'know, those Legend of Zelda games that are always used in YouTube Poops?) was preeeeeeeeeetty accurate. I don't know what this film's budget was, but clearly most of it went to getting people like Jim Cummings and E.G. Daily to lend their voices to it.

I should also mention that this shop has some pretty ugly heirlooms for sale. A gumball machine with a clown's head sticking out of it? Three monkeys sitting on a chest doing the "Hear no evil speak no evil see no evil" thing? Who would want to buy THAT?

Would you happen to have a combination hookah and coffee maker that also makes julienne
fries in stock?

Anyway, the shopkeeper fixes the hands on a clock and we transition to the outside of a school. Students pour out of the building, among them our main character, Paige. She sings about how she's so different from the other kids because she - GASP! - likes to read. Then the other kids join in, singing about how Paige is a bore and an introvert. Even a police officer, a pizza delivery guy, a bus driver, and some woman in a car start singing about her. It's basically a worse version of "Belle" from Beauty and the Beast.

By the way, the girl named Paige likes to read. "Paige" sounds like "page". Pages are what you find in a book. Just in case you didn't pick up on that.

"There must be more than this provincial life..."

Considering how everyone else is treating Paige, I don't blame her for preferring books over the company of people. Seriously, EVERYONE IN TOWN - not just the kids, EVERYONE - is singing about how there's something wrong with her because she reads a lot. Even the townsfolk in Beauty and the Beast weren't this harsh to Belle.

Paige takes refuge in that heirlooms shop from earlier. It is here that we learn the shopkeeper is her grandfather, Gramps. Interestingly, Paige's speaking voice is provided by E.G. Daily, but her singing voice is provided by Hynden Walch. I'm not sure why they felt the need to have someone else do the singing, seeing as E.G. is a good singer (she's even released some albums).

Anyhow, when the subject of Paige being bullied comes up, Gramps encourages her to stand up for herself. But she's too insecure. Perhaps Paige's parents can help her gain self-confidence... where the heck are they?

The characters legitimately look like they've been pasted onto the far more detailed background.

That night, Paige reads the story of Aladdin, and how he searched for treasure inside the Cave of Riches... wait a minute, I thought it was the Cave of WONDERS. Maybe "Cave of Riches" is what it was called in the original story, I don't know... and found a magic lamp that he used to rescue a princess from the clutches of an evil sorcerer.

Then we cut to a cobra and an evil sorcerer writing down the very same story in a book. Say hello to our villain, everybody - Scheherazade. Yes, the same Scheherazade who, according to the Genie, had "a thousand tales".

I don't think she was evil in the original Arabian Nights stories, though...

She and her pet cobra, Tambor, are holding Aladdin (who even SOUNDS like a Scott Weigner impression, by the way), the princess, and the sultan prisoner. You see, she stole Aladdin's magic lamp and used it to make the Sultan fall in love with her. Didn't the Genie say that he couldn't make anyone fall in love with anybody else? I know, I know, this isn't THAT version of Aladdin, but the jokes are just too easy to make...

Scheherazade is the one who wrote the story that everyone is familiar with - solely to cover her tracks. Now she is in control of Not-Agrabah, and the Sultan is too cuckoo for Cocoa Puffs to stop her from doing eeeeeeeeeeeevil stuff. Judging by the expression on the Sultan's face, maybe the Genie DIDN'T make him fall in love with her - maybe he just gave the Sultan a lobotomy.

"Durr hurr hurr, I'm wearing a funny hat!"

"But why go to all the trouble of writing that... that FAIRY TALE?" Aladdin asks. "Because people believe whatever they read!" Scheherazade claims, and now that she has everything she wants, she's going to hide the lamp in a place where it can never be found - the future!

This is Tambor. He's the closest thing this movie has to a charming character thus far.

Scheherazade commands the lamp to "vanish until some distant day", and guess where it winds up? In the heirlooms shop, of course! Gee, I do wonder if Paige will find the lamp and wind up defeating Scheherazade...

Spoiler alert: yes. Yes, she does indeed find the lamp and says she wishes that she knew where it came from. This is why you should be more specific, Scheherazade. If you'd told the lamp to disappear until, for example, June 1st, 2020, you probably would've been fine - everyone would've been too busy ordering toilet paper and hand sanitizer online to notice it, wherever it wound up.

Smoke pours out of the lamp, and the image of Aladdin being dragged away to be beheaded appears in a nearby crystal ball. "It's Aladdin! And he's in trouble!" Paige exclaims. "If only I could give him his lamp... wait a minute! I can!" So she wishes that Aladdin were in the heirloom shop and not, y'know, about to have his head chopped off. It would seem that here, there's no genie inside the lamp - the lamp itself is what grants the wishes. Maybe Paige could wish that this movie had much better animation.

Scheherazade gives her rating of the movie.

Bibbity-bobbity-boo, Aladdin is teleported through space and time into the heirloom shop.

"I'm free! Now I don't have to star in a lousy live action remake of my movie!"

Aladdin is relieved that he still has his head, then proceeds to comment that Paige's name is funny because it "makes [her] sound like a book". He also puts on an Indiana Jones hat for some reason.

"It belongs in a museum!"

Paige tells Aladdin about how she has a book about his adventures, and how she summoned him to the heirloom shop by making a wish with the magic lamp. Meanwhile, back in Aladdin's time, the Sultan, Tambor, and Scheherazade consult an enchanted hourglass so they'll know where Aladdin is. At the moment, he's telling Paige that he'll grant her a wish to thank her for saving his life. She wishes that the books could talk to her. Careful what you wish for, Paige - you might wind up with a book in a tutu voiced by Whoopi Goldberg making jokes about her Little Mermaid underwear.

And sure enough, she DOES wind up with a talking book. His name is Wordsworth and he's a world history book. Why do I have the feeling this character is going to make a lot of book puns?

"I hope you don't want me to go on a fantastic adventure with you. My week is already
BOOKED."

Then characters start popping out of other books. Jack of and the Beanstalk fame appears first, then Sleeping Beauty, Rumplestiltskin, Cinderella, Dorothy and Toto from The Wizard of Oz, Humpty Dumpty... who kind of sounds like Sylvester Stallone, oddly enough... and Alice from Alice in Wonderland.

Who I initially thought was supposed to be Goldilocks...

This isn't so much the books talking to Paige as it is the characters inside them talking to her, but whatever. The fairy tale characters sing an admittedly not too bad song begging Paige to read their stories first. After the musical number, Aladdin fills Paige in as to what Scheherazade has been up to... just before she teleports into the heirloom shop and conjures up a sandstorm. Quick question, where the heck is Gramps while all of this is going on?

Fortunately, Aladdin manages to smash her magic hourglass and stop the storm. But she escapes with the magic lamp and half of the hourglass - but Paige and Aladdin have the other half, so maybe they can use it to send Aladdin home. But first he has to find the magic lamp, which could be any place in history. Wordsworth says that he knows where it is, but he refuses to tell them because he's bitter that nobody ever reads him. So Paige and Aladdin trick him into revealing to them where it is - on the dinner table of Henry the Eighth.

"It says here that the character of Aladdin is copyrighted by the Walt Disney Company. Wait, does
that make me a bootleg?"

Aladdin encourages Paige to come with him to see Henry the Eighth. He says, "It'll be the adventure of all time!" Get it? 'Cause that's the title of the movie?

The hourglass half transports Paige, Aladdin and Wordsworth to Henry the Eighth's kingdom. They meet his family, who are all incredibly fat, and get roped into cooking dinner for him. If he doesn't like what they make, they'll get fed to lions.

"Be prepared... to be our lunch!"

And how's this for a plot twist? Unlike his family, Henry the Eighth - voiced by Jim Cummings - isn't fat... he's skinny! This is the movie's attempt at being subversive.

After this, Henry the Eighth went on to star in ads for Burger King.

So, the reason why Henry the Eighth is so thin is because trying to live up to his family name has left him without much of an appetite. The first few Henrys were larger than life, and he can't even go outside without children tying a string around him and using him for a kite. Paige tells him that his weight has nothing to do with how good of a king he is, but it doesn't do any good. But what's that on the table in front of him? Why, it's the magic lamp! And he says that he wishes he were hungry, and it does its thing. Suddenly, Henry the Eigthth is the size of a blimp and as hungry as a bear.

Paige and Aladdin should've never introduced the king to Tasty Paste...

Back in Aladdin's time, Tambor spots Henry the Eighth with the lamp through the half of the hourglass that Scheherazade has. He tells Scheherazade, who's busy playing chess with an orangutan. This makes just as much sense in context.

Maybe the punchline here is that since orangutans are highly intelligent, they'd actually
be worthy opponents in a game of chess? Or is it just "primates are funny, LOL"? I'm gonna
go out on a limb and say the latter.

Aladdin, Paige, and Wordsworth get into some WHACKY SHENANIGANS trying to get out of there with the lamp, and as soon as they get away Scheherazade shows up and swipes it. She teleports away with it, but once again Wordsworth knows where the lamp is now - with Captain Blackbeard. So they use the half of the hourglass to go to Blackbeard's ship... or should I say BLONDEbeard?

Not the most menacing Blackbeard that I've ever seen. Especially seeing as he sounds like
Ringo Starr.

Blondebeard, also voiced by Jim Cummings, tells Paige and Aladdin that nobody follows his orders. "Nobody's scared of a pretty pirate. Real pirates have eyepatches and peg legs! But all I have is a gorgeous blonde beard," he laments. "And a treasure chest full of sand." Then he finds the lamp inside his treasure chest, but before he can make any wishes the ship comes under attack! Long John Silver is around, and he wants whatever treasure Blondebeard has.

Wait, isn't Long John Silver a fictional character? What's he doing here?

Blondebeard initially wants to give Long John the lamp since it's the only treasure he has. Aladdin and Paige encourage him to fight back, and... you know where this is going, right?

Yep, Blondebeard wishes that he were the fearsome Blackbeard and the lamp turns him into the fearsome Blackbeard.

I feel like I should make a Pirates of the Caribbean joke, but I can't think of anything
clever enough.

Confusingly, Blackbeard's singing voice is provided by Randy Crenshaw despite the fact that Jim Cummings is a great singer. In fact, his singing for Henry the Eighth was dubbed too, by Stuart Pankin. Well, anyway, Blackbeard tries to make Paige walk the plank, but Aladdin gets into a swordfight with him and his now sentient beard. Wordsworth defeats another pirate with just a pen, then quips, "Haven't you ever heard that the pen is mightier than the sword?"

Aladdin gets his hands on the lamp and wishes that Paige were safe. Then they're swept off the boat by a giant wave, courtesy of Scheherazade... and did I mention that they're in shark-infested waters? Which are also sea monster-infested waters?

Don't worry, it's just a giant oil painting.

The sea monster swallows them and the lamp whole, and then the sea monster blows the lamp out of its... blowhole, I guess, and it's snatched up by Long John's parrot. So what now, is the parrot gonna wish for a year's supply of crackers or something? Nope, it's actually Scheherazade in disguise. Hey, remember the princess? The Sultan's daughter? Aladdin's girlfriend? Whatever happened to her?

Scheherazade sings an awful song where she straight-up admits that the reason she's evil is because it's fun. Back in the sea monster's stomach, Aladdin tells Paige about Scheherazade and her evil ways, then admits that he never learned how to read. He was too busy having adventures to go to school. "But going to school IS an adventure!" Paige claims.

...yeah, no. Sorry, Paige, but I can tell you that going to school is not, in fact, an adventure. At best it's a fun field trip, at worst it's you being stuck in a room having to do a bunch of math problems you don't know how to do (and yet I STILL somehow got good grades!).

Where's the lamp now? Scheherazade hid it with Cleopatra. Why does she keep hiding it? Wouldn't it make more sense for her to hold onto it and put it in a vault or something? So it's off to Egypt, where Cleopatra's father, the Pharaoh, is sentencing a prince to a lifetime inside the Sphinx for not wanting to marry his daughter... just before Paige, Aladdin, and Wordsworth's boat falls on top of him, flattening the Pharaoh into a pancake. Wow, not every day you watch an animated movie where the good guys have a body count...

I'd like to take this moment to, on behalf of the filmmakers, apologize to Egyptians everywhere.

Paige, Aladdin, and Annoying Talking Book are brought to Cleopatra, and when she calls them out for squashing her father like a beetle, Aladdin just chuckles nervously and says "Whoops." The least you could do is show a little remorse, Al. Cleopatra declares that Paige and Wordsworth must be sacrificed to the Sphinx, but lets Aladdin have the choice of either spending his life in prison or being her husband. Aladdin is all over the latter option - "Hey, either way it's the ol' ball and chain, huh?" he quips (nyuck nyuck nyuck). Isn't Aladdin dating the princess? Did he forget about her just like the movie did?

Also, Cleopatra is okay with marrying somebody who squashed her father like a beetle?
Seems a bit odd...

Paige and Wordsworth are taken to the Sphinx, who is waaaaaaaaaaaaay way too awesome to be a character in this movie. A giant lion-headed being with the voice of Jim Cummings? Yes, please.

"WHO DISTURBS MY... WHOOPS, WRONG ALADDIN ADAPTATION."

The Sphinx channels Kirby and sucks Paige and Wordsworth into his mouth, trapping them in "the blackness of eternity". Now it's up to Aladdin to save them... provided he's not too busy getting it on with Cleopatra, that is.

Jeez, this movie is long...

Actually, they might not have to worry about that after all. You see, this is what Cleopatra looks like...

...and Aladdin is incredibly shallow, because as soon as he sees her all of her attraction towards her goes out the window. He asks if she can call him a cab... how does somebody who comes from ancient Arabia know what a taxi is?

Paige and Wordsworth learn that the only way to escape the Sphinx is by - of course - solving its riddle. "What creature walks on four legs in the morning, two legs in the afternoon, and three legs in the evening?" he asks Paige. Do YOU know the answer? Is it...

A) A human being

B) A dog that figures out how to walk on two legs

OR C) A camel?

If you picked B or C, you're not very good at riddles, are you? Paige guesses correctly, resulting in her and Wordsworth escaping the Sphinx. Wordsworth then figures out that the lamp might be in the Pharaoh's tomb. They find it, and Paige wishes that they were with Aladdin... who's currently being chased around by a horny Cleopatra.

"TELL ME MOOOOOOOOOORE ABOUT MY EYES!"

When Wordsworth sees Cleopatra, he snarks, "Cleo-FAT-tra is more like it." Tsk tsk tsk, Wordsworth. That's fat-shaming, and that's frowned upon in today's society. Cleopatra sobs that nobody wants to marry her because she's ugly, and Paige feels sorry for her (after all, back home she gets teased because she wears glasses) so she allows her to make a wish. So Cleopatra wishes that she were pretty. And so... you can see where this is going, right?

So, they're trying to say that if you're fat, you can NEVER be beautiful? Great lesson for
the kids, movie...

Now that Cleopatra is hot, Aladdin (who as we've established is very shallow) wants to marry her again... as does Wordsworth. Which is very disturbing because he is a book and she is a human being. Also, he suggests that Cleopatra "curl up with a good book"... The Pagemaster did that joke a lot better.

Cleopatra gives Paige back the lamp. For once, letting a famous figure in history make a wish DIDN'T backfire on the good guys... alas, Scheherazade finds out that they have the lamp. But she doesn't bother to steal the lamp and hide it again - she lets them come to her because, when they do, she'll have a surprise waiting for them.

Meanwhile, Aladdin suggests that he and Paige do some more time-traveling... instead of, y'know, stopping Scheherazade, which is the reason they were traveling through time in the first place. Paige wishes that they had more time, and the lamp grants her wish by conjuring up some sort of giant rainbow-butterfly thing, allowing the film to blatantly plagarize "A Whole New World". I'm not even joking, this entire musical number is a complete knockoff of "A Whole New World". And they don't even try to hide it.

They even copy the gag where the bird sees Aladdin and Jasmine on the carpet and reacts
with confusion. This is shameful.

Oh, and I know I've already pointed this out, but WHAT ABOUT THE PRINCESS? Y'know, Aladdin's GIRLFRIEND?! Why is Aladdin singing what is for all intents and purposes A LOVE BALLAD with Paige when he already has a girlfriend?!

So after the song that alone should have had Disney's lawyers coming after the studio that made this movie with the intent to sue, Aladdin, Paige, and Wordsworth arrive back in Aladdin's time to discover that Scheherazade has turned his home turf into a wasteland. Then she conjures up a tyrannosaurus rex for them to deal with.

I don't think we should expect this guy to start singing "I Love You, You Love Me".

Aladdin is about to wish that the Tyrannosaurus Rex would... I don't know, turn into a harmless bunny rabbit or something, but before he can, the ground opens up and the lamp falls in. And I will admit, Scheherazade's over-the-top reaction to that did get a chuckle out of me. She sends Tambor to go down after it. Paige and Wordsworth use the magic hourglass sand to go back five minutes ago... which sends them to the center of the earth somehow. This allows Paige to catch the lamp when it falls in. Okay, Paige, now just make sure you don't run into your past self. That could result in some kind of time paradox.

Actually, she won't have to worry about that. After a tug-of-war for the lamp with Tambor, Paige wishes that she and Wordsworth were with Aladdin just as Past Paige and Past Wordsworth were using the sand to go back five minutes ago.

Oy, even the TYRANNOSAURUS REX in this movie is boring...

Aladdin wishes for a glacier to trap the dinosaur, then goes to deal with Scheherazade. She's all "No, please, have mercy!" but he's not having any of that, so he wishes that she were a flea, a harmless little flea, and then he puts that flea in a box, and then he puts that box inside of another box, and then he mails that box to himself, and when it arrives, he smashes it with a hammer.

Nah, just kidding. Instead, Aladdin wishes that Scheherazade were a good guy. So the lamp does that. And it also gives him some new duds.

You sure you don't want to turn her into a ladybug or something?

So Scheherazade becomes nice and sings about doing nice things for everyone. Aladdin is reunited with his princess. Y'know, I keep harping on how the Princess was basically a non-entity in this movie, but why couldn't they have had her come along with Aladdin and Paige on the adventure? For Pete's sake, they didn't even give her a name.

Aladdin thanks Paige and Wordsworth for their help, and Scheherazade reveals that she fixed the hourglass so they can go home whenever they're ready. Paige gives a big speech about how she's learned that it doesn't matter what you are, everybody is insecure about something, and now that she knows that she isn't afraid of the folks picking on her back home. Maybe they should let her keep the lamp - that way if they still make fun of her, she can use it to conjure up a dinosaur and sic it on them.

Paige heads home, and of course they're ambiguous as to whether or not it was a dream. Regardless, now she has the courage to stand up to those bullies. And she meets a new kid who just so happens to look and sound exactly like Aladdin.

No, Aladdin isn't a time traveler. This kid's name is ALAN. Maybe he's Aladdin's descendant?

Gramps watches Paige and the Aladdin-esque kid hit it off from the window, then tries to wrap up the film, only for Wordsworth to come alive and try to stop him. For whatever reason, Gramps doesn't freak out over the fact that there's, y'know, a TALKING BOOK. The end.

"Oh, hey, a book is talking to me. This is the best high EVER..."

What's the Verdict?

To be honest, I'm kind of disappointed.

You see, from the film's online reputation, I was expecting something far, far worse. Something so bad, it was actually kind of entertaining in how bad it was. Or at least something as bad as Foodfight!. But the film's not that bad, it's just... bad animated movie bad. About on par with something like Alpha and Omega or Sahara. As a result, I frequently found myself having difficulty coming up with jokes to make about it.

Let's get the negatives out of the way first: the animation is lousy. Sometimes it's just mediocre and looks like one of Disney's direct-to-video sequels (the ones with really bad animation like The Return of Jafar and The Hunchback of Notre Dame II, I mean), other times it's almost Dingo Pictures-level bad. Also, the movie is long. Very, very long. And it just DRAGS. The film does a very bad job of hiding that it desperately wants to be a Disney movie - ignoring the fact that it stars a character whose biggest claim to fame is having a beloved Disney movie about him, the film pilfers from Beauty and the Beast as well. Even the songs (most of which qualify as padding, especially the villain's songs) sound like they're desperately trying to sound like Disney's, most notably the opening song about Paige and the blatant "A Whole New World" knockoff. Paige isn't a very interesting protagonist, nor is this version of Aladdin, the villain is dull, and I found Wordsworth kind of annoying. I will say that the voice actors all do a good job, though with a cast like this, that's to be expected.

So, would I recommend Aladdin and the Adventure of All Time? No, I wouldn't. There's nothing here that wasn't already done better in The Pagemaster, and it's not even one of those movies that's fun to mock. My recommendation would be to just rewatch Disney's Aladdin, it'd be a much better way to spend your time (get it? Time? I'm clever, aren't I?).

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Wednesday, November 12, 2025

Let's Watch This: An Episode of "The Secret Show"

NOTE: Please do not take any of the little nitpicks in this review (or any of my other reviews, for that matter) seriously. I write these reviews in the hopes of making people laugh. Those nitpicks are really just dumb little observations that I'm attempting to make jokes out of, not complaints that add to whether or not I like something.

Ah, the golden age of Nicktoons Network! Back when it had original shows in addition to classic Nickelodeon stuff and wasn't just another place for SpongeBob and Loud House reruns. I've already looked at their acquired programming of Corneil & Bernie and Kappa Mikey, but it's been too long since I've dived into the strange shows that aired on Nicktoons, but wasn't actually made by Nickelodeon, in the 2000s. And one cartoon that I, personally, think of when I think of Nicktoons Network is The Secret Show.

The Secret Show is the creation of Tony Collingwood, originally premiering on CBBC in the United Kingdom on September 16th, 2006 before winding up on Nicktoons Network in the US the following year. If there's one thing the United Kingdom is known for (aside from the obvious stuff like tea, crumpets, and the Beatles), it's spies - both in real life and on the silver screen. So what British child WOULDN'T want to watch a comedic cartoon about spies? Heck, what AMERICAN child wouldn't want to watch a comedic cartoon about spies?

The show focused on the secret organization U.Z.Z. (that stands for "Umbo Zim Zam"). Their two top agents, Anita Knight (voiced by Kate Harbour) and Victor Volt (voiced by Alan D. Marriott), are sent by their commanding agent, whose codename is "Changed Daily" (Keith Wickham), to defeat various villains bent on world domination. Their main enemy? T.H.E.M. (which stands for "The Horrible Evil Menace"), run by the diabolical Doctor Doctor (also Kate Harbour) and her team of agents known as the Expendables. Fifty-two episodes, and two seasons, were produced.

I feel like I might've watched The Secret Show once or twice, but I'm not sure if I've ever watched a full episode. However, the show seems pretty well-liked by those who remember it online, and Keith Dawkins, Nicktoons' vice president at the time, dubbed the show hilarious and claimed that he laughed out loud when he read the first script. That should count for something. While the show was never released on DVD here in the United States, it is avaliable to watch - you'll have to pay for it, however - on Amazon Prime Video, and somebody was nice enough to upload all the episodes to the Internet Archive. In other words, it's once again time for me to tackle a show that's been on my "to-review" list for a while!

We're going to watch the twenty-first episode of the show, "Mr. Atom". This is The Secret Show.

...or is it? When I clicked on the episode I wanted to review, I didn't get any spies or espionage. Instead, I get this lady and her pet rabbits welcoming me to "The Fluffy Bunny Show"!

Happy very early Easter, everybody!

The lady (Kate Harbour) starts singing and playing her mandolin, then all of a sudden this strange contraption on wheels sends her flying and carries off the rabbits. Then a guy in a nice suit and sunglasses (Special Agent Ray, voiced by Martin Hyder) runs in and says that this timeslot is needed urgently for The Secret Show! How strange.

This is how every episode of the show starts. I'm pretty sure there was another cartoon that did something like this before it, but the joke still works - this show is so secret it doesn't even have a timeslot.

"What do I say here again? 'LIVE FROM NEW YORK, IT'S SATURDAY NIGHT!'?
No, that's not it..."

After the opening sequence, the episode itself starts off with Anita already in trouble. She's tangling with a supervillain known as... pause for dramatic effect... The Chef! He probably has some evil scheme involving awful-tasting food.

Though his cooking couldn't possibly be any more disgusting than his chest hair.
Eugh...

Fortunately, Victor shows up to save her, but The Chef isn't going down without a fight... or without using his eggbeater hand on Victor. Oh, wait, never mind - all Victor has to do is beg for him not to scramble his brains and The Chef politely surrenders. If only ALL cartoon villains were so easy to defeat...

Victor and Anita rendevouz back at U.Z.Z. Headquarters with Changed Daily... or, as he's called in this episode, Pinky Woodle... and brilliant scientist Professor Professor (Rob Rackstraw). According to Changed Daily/Pinky, it was not Victor who defeated The Chef but rather Mr. Atom - not to be confused with Atom Ant.

I think this guy is supposed to be based on John Cleese. Or maybe an Easter Island head
disguised as John Cleese. Either or.

Who is Mr. Atom? He is the smallest secret agent in the world. Even smaller than Inch High, Private Eye. He's so small, he makes Thumbelina look like Ginormica from Monsters vs. Aliens. Victor, of course, does not believe that Mr. Atom - currently standing on Professor Professor's finger - actually exists. Hasn't he ever read Horton Hears a Who? It's entirely possible for there to be people that small. In fact, a very tiny person, so small that no one can see them without a microscope, might actually make a great secret agent. They could sneak into bad guys' lairs and foil them undetected.

This does, however, raise a question - how come seemingly everyone EXCEPT Victor can see Mr. Atom without the use of a microscope? Do they all just have much better eyesight than he does?

"Pull my finger, Victor!"

Mr. Atom demonstrates how he defeated The Chef by climbing inside of Victor's nose. Good thing Victor doesn't have a head cold and his nose isn't all clogged up, that would probably make it more difficult to travel inside. Upon entering Victor's brain, he humiliates Victor by making him act like a chicken. Why exactly does everyone think the funniest thing one can do to a person is make them act like a chicken? I mean, aside from "because chickens are funny, LOL".

When Mr. Atom climbs out of Victor's head, Victor accidentally steps on him. Don't worry, he survives - he's a cartoon character, after all. And he does not think very highly of Victor and vows revenge. You see, like most very short people, Mr. Atom has a very short temper. Not only is he mad at Victor, he's also mad at Professor Professor for calling him a "nasty little man", and at Anita simply because she called him short. But that's not an insult, it's a statement of fact. It's like if Shrek were insulted because somebody called him green.

Methinks Mr. Atom has a Napoleon Complex.

Mr. Atom enters Pinky's head and has him say that they shall rue the day they ignited the wrath of the smallest secret agent in the world. Then he announces into the intercom that the base is now at "alert level code CUSTARD" and that Victor, Anita, and Professor Professor are to be eliminated. Uh oh...

Yep, he definitely has a Napoleon Complex.

The three of them make a run for it. "We have to get Mr. Atom out of Pinky Woodle!" Professor Professor exclaims. But HOW? Well, they could always shake pepper in Pinky's face and get him to sneeze him out. But Professor Professor has another idea.

Well, I wouldn't have jumped straight to zapping Pinky's head with a ray gun, but whatever
floats your boat...

The strange invention Professor Professor zaps Pinky with is actually an enlarging ray, and it turns Pinky into a giant. "Fly! Fly up his nose!" he urges Victor and Anita. "Fly up Pinky Woodle's nose and get Mr. Atom!" Of course! It's a foolproof plan! Sort of.

Quite a few people were baffled when John Cleese was cast to play King Kong, but
he actually pulled the role off quite well.

Victor and Anita manage to fly into Pinky's nose, but the agents fly in after them. Eventually, they wind up in the brain, and Professor Professor explains what's going on to the agents who aren't flying around in Pinky's head. Pinky, meanwhile, is stumbling around the city like Godzilla with a mustache, and he's heading straight for the ocean. Mr. Atom blames Victor for what's going on, because it's totally his fault that Mr. Atom took control of somebody's brain and attempted to have them eliminated. Bafflingly, Anita takes his side.

"Look, I can't help it if this guy goes around the size of a pea's smaller brother's... little... small... thing! I couldn't see him!" Victor points out. While they're bickering, Professor Professor zaps Pinky with the enlarging machine again, this time SHRINKING him so small that he winds up in Professor Professor's eye. And you thought having an EYELASH in your eye was annoying, didn't you?

"I feel like I'm running in circles!"

Anita forces Victor to apologize to Mr. Atom. Nobody forces Mr. Atom to apologize to them for what was basically ATTEMPTED MURDER, but he acknowledges that he has difficulty controlling his temper. It's an inferiority thing.

At the moment, Pinky has left Professor Professor's eye and is wandering down the celebral cortex. Note the bunny hiding among the brain matter - there are bunnies hiding all over the place in this episode. I guess nobody told them that "The Fluffy Bunny Show" had been pre-empted.

Hey, now he really IS pink-y! That's sort of amusing.

If he enters the celebral cortex, Professor Professor's head will explode. Y'know, like Donald Trump's probably would if somebody told him that he's basically done nothing to fix whatever problems our country has. But Mr. Atom has a plan - he, Victor, and Anita attatch suction cups to parts of Pinky's brain, which gets it working again and he manages to stop himself from biting down on that stringy bit connecting both sides of the brain. The day is saved.

Pinky makes it out of Professor Professor's brain, everyone else in turn makes it out of his head, and they're all returned to their normal sizes off-camera. The moral of today's story is to be nice to small people, they have feelings too and will violently retaliate against you if you do something to tick them off.

What's the Verdict?

Well, I personally found myself liking The Secret Show. It's a very funny show, with...

...hey, who are you guys? How did you get in here? What do you mean the show is so secret that I'm forbidden from doing a review of it? It's MY blog, I... what are you doing?! Put me down! I have to finish the review! LET GO OF ME!











What's the Verdict?

Secret Mountain Fort Awesome is not worth your time. The characters are disgusting, the art style is repulsive, and the jokes aren't funny at all. As I've said before, surrealism is not a substitute for good writing, and if a show is going out of its way to gross you out, it's likely doing something wrong. I do not recommend watching Secret Mountain Fort Awesome at all. There are far better Cartoon Network shows from this era worth your time.

What do you mean this wasn't the show I was originally reviewing? What's that? Something called "The Secret Show"? About spies and a guy the size of a gnat? Nope, never heard of it. And I'm not just saying that because I have a bunch of U.Z.Z. members holding me at plasma blaster-point. In fact, I don't even know what the U.Z.Z. is. What does that stand for, "United Zucchini Zesters"?

Wednesday, November 5, 2025

Did You Know? - Fun Facts About "Aladdin"

Welcome to another edition of a series that I like to call Did You Know?. Inspired a little by the Nostalgia Critic's "What You Never Knew" series, this series will allow me to share with you some interesting tidbits, behind-the-scenes information, and fun facts about an animated movie or TV series. Because I like sharing new information with people.

It's been too long since I've done one of these posts. Since I've already done editions talking about The Little Mermaid and Beauty and the Beast, I think it's time I did one about the FOURTH film in Disney's animation renaissance (I'm guessing there aren't a lot of fun facts about The Rescuers Down Under online, so don't expect a Did You Know? about THAT film) - Aladdin.

Aladdin was the highest-grossing animated film of 1992, and for good reason. It's fun, it's energetic, it's colorful, it's one of those animated films that you can't help but love. And a lot of that is owed to the talented cast and crew that brought it to life. John Musker, Ron Clements, Howard Ashman, Scott Weigner, Alan Menken, and Robin Williams, just to name a few, all contributed to the movie's greatness. Like the Genie of the lamp, it's often-imitated, but never duplicated...

My apologies to Will Smith, but he's no Robin Williams.

...and is still one of the most beloved Disney animated films to this day. And it has a lot of history behind it, too.

You probably already know about the falling-out between Disney and Robin Williams. You probably also know that Pinocchio, Sebastian the Crab, and the Beast all make cameos. You likely don't need to be told about deleted songs like "Proud of Your Boy" and "High Adventure". And if you read my previous post about an early draft of the film's script, you probably know all about scrapped characters like Abbi, Aladdin's mother, and his three idiot friends. But did you know any of THESE things?

1) Technically, this wasn't Disney's first adaptation of the Aladdin story. That honor goes to their 1970-released LP, Disneyland Records' Aladdin and His Wonderful Lamp.

It's not even Disney's SECOND adaptation of the Aladdin story. That would be a 1971 LP from Disneyland Records called The Story of Aladdin and His Lamp. Why they released two LPs adapting the same story so close together, I don't know.

2) While Robin Williams was always the filmmakers' choice for the Genie, they did have some backup options in case he turned it down, or if they couldn't convince Jeffrey Katzenberg it was a good idea - Steve Martin, John Goodman, Martin Short, Eddie Murphy, Albert Brooks, Matt Frewer, and John Candy were all considered. What convinced Robin to accept the role was a bit of pencil animation Eric Goldberg did of the Genie set to a routine from one of Robin's comedy albums.

In addition, Danny DeVito and Joe Pesci were considered for the role of Iago. Patrick Stewart was offered the role of Jafar, but he turned it down due to scheduling conflicts with Star Trek: The Next Generation. Tim Curry, Kelsey Grammer, Christopher Lloyd, Ian McKellen, and John Hurt were also considered to voice Jafar.

3) Y'know all those animals and servants that appear during the "Prince Ali" sequence? Where the heck did they all come from? Well, according to a deleted scene, the Genie created them by transforming bugs, rodents, stuff like that.

Concept art of a devious-looking Aladdin and Jasmine.

4) Initially, Aladdin was modeled after Michael J. Fox. Jeffrey Katzenberg urged the filmmakers to make him look like Tom Cruise. "In all his poses, I noticed there was a confidence, a look in the eyebrows, that gives him intensity and at the same time a smile that has kind of an impish look, like he’s got something up his sleeve," said Glen Keane, Aladdin's supervising animator. He also found inspiration for Aladdin while observing and sketching volleyball players at the beach. Meanwhile, Will Finn, the supervising animator for Iago, designed Iago by drawing a caricature of Gilbert Gottfried and adding feathers (Iago shares Gilbert's squinty eyes and toothy grin). For Jasmine, her supervising animator Mark Henn had two inspirations - his sister Beth and actress Jennifer Connelly. And Aaron Blaise, the supervising animator for Rajah, had difficulty with "the fluidity in the design" until he looked at a Jaguar hood ornament.

5) The film's art style as a whole was inspired by Al Hirschfeld. According to Eric Goldberg, "I look on Hirschfeld’s work as a pinnacle of boiling a subject down to its essence, so that you get a clear, defined statement of a personality. There’s also an organic quality in the way one line will flow into another: It may go along the back of a neck, down the spine, across the behind and the down the leg--all in one single line that is very, very elegant. I wanted the Genie to have that kind of elegance."

Al Hirschfield himself said, "I’m very flattered that the animators say they were influenced by my use of line, but art isn’t a 50-yard dash - it’s more like a relay: You keep handing it on to somebody else, and there’s no beginning or end to it. I didn’t invent the line: That simplification that communicates to a viewer goes back to the cave drawings at Altamira."

Concept art for the Genie - the one on the left is the same design Eric used
in the aforementioned pencil test.

6) It's hard to imagine anyone BUT Eric Goldberg - one of my favorite animators - animating the Genie, but before him, the job was offered to independent animator Bill Plympton. "You know, the Robin Williams Genie that does all this crazy stuff. Because I was so good at transforming the head, like in Your Face. They wanted me to do some of that with the Genie," he explained. "But, I had the studio in New York. I had people that I'd have to fire and I'd have to shut down the whole operation." And he was already working on a film called The Tune at the time as well, so he turned Disney down.

"And I say if you want to work for Disney, go ahead," he added. "It's a great opportunity. I'm always the first in line to see a Disney or PIXAR film, because they're really wonderful. But every morning when I get up and I go to my drawing board and I start drawing and there's no one looking over my shoulder saying, 'We don't like that, change it, please,' I say I can draw whatever I want, and to me that's worth more than a million bucks."

Concept art of the film's main characters, including Aladdin's mother, who wound
up getting cut.

7) Here's another interesting anectdote about Katzenberg - remember that scene where Abu, after being turned into an elephant, climbs up a tree? In a test screening, Katzenberg complained the accompanying sound effect was "much too cartoony". He later complained that there weren't enough pounding noises during the scene where Elephant Abu climbs up the palace stairs.

8) Caricatures of the film's directors, John Musker and Ron Clements, can be seen in the crowd watching Prince Achmed. Originally, this scene was going to have an appearance from caricatures of film critics Gene Siskel and Roger Ebert, but the filmmakers thought they would need to get permission to do that.

More concept art for the Genie.

9) John and Ron aren't the only caricatures in the film. There are actually quite a few, all of them were designed by animator T. Daniel Hofstedt. A few appear during the "One Jump Ahead" song - the jewelry vendor is clean-up artist Marshall Toomey, the fire walker is a CalArts teacher named T. Hee, and Crazy Hakim the fertilizer dealer is animator Tom Sito. Going back to the crowd watching Prince Achmed, there are also caricatures of Eric Goldberg, Glen Keane, and T. Daniel himself with his three-year-old son Daniel.

Another caricature appears at the beginning of the "Friend Like Me" song. One of the Forty Thieves that the Genie summons is a caricature of effects animator Dorse Lampher (he's the tall, pear-shaped one with bare feet and a small sword).

10) Are you familiar with Disney's 1959 live action film Darby O'Gill and the Little People? Well, that film actually had a bit of influence on Aladdin.

Let's be honest, most of Disney's 1950s live action films
would be at least slightly more well-known if they were animated.

You see, screenwriters Ted Elliott and Terry Rossio were in a meeting with Ron and John. Ron and John asked if the Genie should be able to grant an unlimited amount of wishes like in the original story, or if it should just be three. According to Terry, "Going down the path of unlimited wishes (which they had done) created what we deemed an 'addiction story' paradigm. Aladdin wishes for more and more stuff, which starts out fine, but eventually gets out of control, and he can't stop - essentially an addiction tale. But limiting the wishes to only three would make each wish crucial, have story purpose, and enhance the opportunity for drama."

What does this have to do with Darby O'Gill and the Little People? Easy - that film was exactly what Terry was thinking of when he was explaining this to Ron and John. I haven't actually seen the film, but Terry filled us in on what happens in it. Darby O'Gill captures the King of the Leprechauns, Brian Connors. And that means Brian has to grant him three wishes. He says, "Three wishes I grant you, great wishes and small, but if you wish for a fourth, you lose them all!" So eventually, Darby's daughter is injured and going to die, and Darby wishes that he could take her place and die instead. And as he's being carried away to the land of the dead in a spectral coach, Brain appears and tricks Darby into making a fourth wish - wishing that he could see the aforementioned daughter get married. And remember that "if you wish for a fourth, you lose them all" thing Brian said earlier? Well, by making that wish, Darby forfeits the other three, and he doesn't have to die.

Terry pitched that they could create a similar crisis for Aladdin if they limited the number of wishes. And wouldn't you know it, Ron loves Darby O'Gill and the Little People, so...

Concept art of Aladdin and Abu. Somebody make Abu stop staring at me.

11) Here's another thing that Terry informed us - why can Iago talk? According to him, the idea was that Jafar took all of his emotions and transferred them into his parrot, leaving him free of distractions and thus more able to conjure magic... but Iago is too small for so many emotions to be bottled up inside, so Jafar wound up with a loud, hot-tempered Angry Bird.

12) As you might recall, Howard Ashman and Alan Menken's original treatment for the film took place in Baghdad. The reason why the final movie doesn't take place in Baghdad? The first Gulf War. Roy Disney told the crew that they couldn't have the film in Baghdad, so John Musker did a "jumbled anagram" and came up with Agrabah.

Concept art for Jafar.

13) So, back to that "three wishes makes for better drama" thing... the story requires Aladdin to use his second wish before the third act starts up so he'd have to decide whether to use his third wish to sort out his own problems or free the Genie like he promised. So somebody came up with the idea of having Aladdin use his second wish to get through some sort of obstacle course designed to test Jasmine's suitors so they could prove they were worthy of being her husband. Alas, the idea didn't work out, and they decided to just have Jafar somehow convince the palace guards to help him throw Aladdin off a cliff and as a result Aladdin has to use his second wish for the Genie to save his life.

14) An early version of the climax was to have Jafar wish not just that he was the sultan, but that he'd ALWAYS BEEN sultan and would always be the sultan, resulting in some sort of magic wave that changed everyone's memories. The magic carpet would wrap itself around Aladdin and Abu and protected them from the wave, so they'd be the only ones whose memories were unaltered. Aladdin would, as in the finished movie, put everything back to normal by tricking Jafar into the lamp. They decided it was "too science fiction-y".

15) Before Aladdin, Robin Williams starred in the Back to Neverland attraction at Disney-MGM Studios (now Disney's Hollywood Studios), a theatrical show about animation. The Genie's outfit at the end, with the hawaiian shirt and the Goofy hat, is a reference to that attraction - Robin wore the same getup at the beginning.

Here's a screencap from Back to Neverland with Robin in his tourist getup.

16) The "Friend Like Me" sequence was the first scene to be animated. In fact, the animation had already been done before they decided to make Aladdin look more like Tom Cruise, so he looks a bit more Michael J. Fox-ish during the scene.

17) The filmmakers went through a couple different songs for Jafar to sing before deciding on his reprise of "Prince Ali". The first was called "Humiliate the Boy", and you can find an animatic for the song on YouTube where Jonathan Freeman voices both Jafar AND Iago (who was originally going to be British, apparently). Then they came up with a song called "My Time Has Come", in which Jafar lamented how much his life stunk and how he was going to make everyone miserable in revenge. Also written for Jafar were "Why Me?" and "My Finest Hour".

Concept art for Iago.

18) As you likely already know, Robin Williams also voiced the Peddler at the beginning of the film. For the scene where the Peddler offers us some of his wares (would YOU buy that combination hookah and coffee maker that also makes "Julienne fries"?), Robin was brought into the soundstage, positioned in front of a table where there were a bunch of random things covered by a sheet, and told to just ad-lib everything.

19) Gilbert Gottfried was allowed to improvise a lot, too. Remember Iago's line as he's packing his bags after Aladdin reveals to the Sultan that Jafar has been hypnotizing him? "I'll bring the guns, the weapons, the knives... and how about this picture? I don't know, I think I'm making a weird face in it." That was an ad-lib, and it got a laugh out of Robin when he heard it.

20) You know that kid from the marketplace who Jasmine gives an apple to? He's got a name. It's Tony:

Credit for this goes to havesomedisney.tumblr.com.

21) You probably recall that the Genie briefly dons a tux and acts like a game show host before turning Abu into a camel. For the movie's release in India, Disney swapped this out for the Genie becoming a "cricket commentator" (don't know if that means a cricket who does commentary or a commentator at a cricket GAME).

22) "A Whole New World" was originally called "The World at My Feet". Tim Rice suggested to Alan Menken that having the word "feet" in a Disney love song wasn't such a good idea.

23) Y'know how the Beast makes a cameo in the film as one of the animal figurines that the Sultan is stacking just before the "Prince Ali" song? Well, he's not the only cameo in there. Somebody on Reddit revealed that, if you look very closely, you can also see the back of Donald Duck's head (it's under the deer and to the left of the pink rhinoceros):

I've also heard claims that Simba from The Lion King is hidden among the animal figurines as well, but I don't see him.

24) While animating the Magic Carpet, Randy Cartwright kept folding a piece of cloth to see how to position it.

25) The movie actually has a color scheme inspired by its desert setting: blue (the color of water) represents good, red (the color of heat) represents evil, and yellow (the color of sand) represents neutral. Notice that Jafar is clad in red and blacks and is entirely red when he becomes a genie, whereas Jasmine wears blue and the Genie IS blue.

Concept art for Jasmine.

26) Aladdin was the first Disney film to be dubbed in Icelandic.

27) Yes, the Peddler at the beginning is indeed the Genie in disguise. The original plan was to have the Peddler show up again at the end and reveal himself to be the Genie, but they replaced it with the "Genie's face on the moon" ending. The Broadway musical removes the Peddler and simply has the Genie introduce the story as himself.

28) During "Friend Like Me", Genie writes Aladdin's order from right to left - which is how Arabic would actually be written. However, what Genie wrote is actually Persian, not Arabic. Specifically, he wrote "Turkey Pilaf" in Persian to match the Middle Eastern setting. However, the list that Genie pulls out of Aladdin's ear IS written in Arabic.

Here's a very strange piece of concept art for either the Genie or
Jafar. Whoever it's supposed to be, it looks more like Jim Carrey's Grinch.

29) It's often mentioned that Genie is the only character in the movie with four fingers. This is false. You can see some merchants during the "Prince Ali" song that ALSO have four fingers.

30) The Cave of Wonders scene was originally going to be even longer - there was a scene where Aladdin walked up to the lamp and was about to grab it, but then noticed his shadow on the wall... and many more shadows that once belonged to other fools who stumbled upon the cave and tried to grab the lamp (including the thief from the beginning of the film). He would've stepped away from it, and it would've turned out that the lamp was a fake. And because Aladdin didn't take it, he was allowed access to the real one.

31) During preview screenings, there was a distinct lack of applause after the musical numbers. So they gave the Genie an applause sign on his back after "Friend Like Me". It worked!

Concept art of Aladdin discovering the magic lamp.

32) To promote the film, a parade called Aladdin's Royal Caravan marched down the streets of Disneyland and Disney-MGM Studios in Walt Disney World. The first parade at a Disney park based on a single movie, it featured live actors, inflatable costumes, and puppets. Genie was all over the place, Aladdin and Jasmine rode on the back of elephant Abu, and Jafar was at the end - as a street sweeper. For more information about the parade, I recommend checking out Yesterland and Walt Dated World (they're great sites for Disney Parks afficianados like me!).

After its run, the golden camels featured in the parade were placed outside a restaurant in the park called the Soundstage Restaurant, which (at least in 1992) was themed to the movie as well and featured animation cells and concept art hanging up on the walls, marquettes, and I believe meet-and-greets with the characters while you ate. The restaurant eventually closed (it was where the Playhouse Disney live show was during the 2000s), and the camels now stand nearby the Magic Carpets of Aladdin attraction at the Magic Kingdom, continuing to spit on guests. There was also an Aladdin's Oasis dinner show at Disneyland from 1993 to 1994.

33) Jonathan Freeman went on to play Jafar in the Broadway adaptation of Aladdin. He also played Grimsby in the Broadway adaptation of The Little Mermaid.

34) According to Andreas Deja, Marc Davis didn't like that Robin Williams was allowed to ad-lib dialogue for the Genie. He felt that the ad-libbing would date the film (he did, however, tell Andreas that he enjoyed Jafar). On the flip side, Frank Thomas and Ollie Johnson had "a few quibbles with the story" but were otherwise okay with the film. Chuck Jones loved it, calling it "the funniest animated film of all time".

SOURCES:
- http://www.wordplayer.com/columns/wp53.The.Rules.html
- https://cartoonresearch.com/index.php/celebrating-the-25th-anniversary-of-disneys-aladdin/
- https://www.cinemablend.com/news/2552347/that-time-aladdin-songwriter-alan-menken-had-to-cut-feet-lyrics-out-of-a-whole-new-world
- https://www.thewrap.com/aladdin-25th-anniversary-facts-robin-williams-disney-photos/
- https://www.orartswatch.org/bill-plymptons-animated-imagination/