Showing posts with label 1990s animated movies. Show all posts
Showing posts with label 1990s animated movies. Show all posts

Friday, January 2, 2026

Let's Watch This: "Animaniacs: Wakko's Wish" (1999)

NOTE: Please do not take any of the little nitpicks in this review (or any of my other reviews, for that matter) seriously. I write these reviews in the hopes of making people laugh. Those nitpicks are really just dumb little observations that I'm attempting to make jokes out of, not complaints that add to whether or not I like something.

NOTE #2: No disrespect is meant towards anyone who worked on the movie I am reviewing today. I'm sure they are all very nice and talented people.

NOTE #3: If you like this movie, that is great. Go ahead and like it. I'm not judging you.

All right, everyone take out the torches and pitchforks... am I the only one who thinks that Animaniacs is kind of overrated? Don't get me wrong, it's a great show. It's got some charming characters, memorable songs, and decent jokes. But pop culture references and innuendos can only get you so far, plus as the show went on it started to feel like the writers always had some sort of axe to grind (what did Gene Siskel and Roger Ebert do to tick off the writers of that one Slappy Squirrel sketch?).

But, regardless of the show's faults, there's no denying that Animaniacs is one of the most influental cartoons of the 1990s (I can name other shows that tried to do what it did but couldn't pull it off at all). Of Warner Brothers' animated output during that decade, this is definitely their most popular - even after the show's conclusion in 1998, it recieved a comic book series, video games, McDonald's tie-ins, and even reran on The Hub (now Discovery Family) for a while. Then in 2020 it got a reboot. Which was awful.

Ever wonder what Animaniacs would be like without any of the charm, passion or humor?
This is the show for you!

But the 1990s was definitely when Animaniacs was at the height of its popularity (mostly because that's when it was actually being MADE). And since it was so popular, of course Warner Bros. wanted to make a movie adaptation of the show. According to TV Tropes, there were plans for one in 1995, but the idea was scrapped due to Warner Bros. pouring their money into the production of Space Jam. Eventually, after the show's final episode, they finally got that Animaniacs movie made - a little something called Animaniacs: Wakko's Wish.

This film was originally supposed to be released in theaters, but despite great scores in test screenings, Warner Bros. decided to make it direct-to-video as a result of their previous animated films like Quest For Camelot and The Iron Giant flopping. It was released on December 21st, 1999. There were thoughts of doing sequels, but the film didn't sell enough videos for them to go through with that.

Wakko's Wish is a very divisive film among Animaniacs fans. You either like it or you hate it. Which side do I fall on? Let's find out. This is Animaniacs: Wakko's Wish.

The movie starts out promising enough, with Wakko joining Bugs Bunny during the Warner Bros. Family Entertainment logo to take a bite out of it (I wonder what the shield tastes like)...

Bugs got revenge on Wakko years later by denying him and his siblings a cameo in
Looney Tunes Back in Action.

Then the opening credits play, listing the names of the characters in the movie while snowflakes featuring their likenesses fall on the screen... I know no two snowflakes are alike, but this is ridiculous. And our first joke (not counting the Warner Bros. logo) of the movie is... a pop culture reference. This is Animaniacs all right.

Specifically, Wakko, voiced by Jess Harnell as per usual, grabs a sled with "Rosebud" written on it off the ground. Get it? Like in Citizen Kane? This is one of those pop culture references that literally EVERYONE has made. I remember even Peanuts made this "Rosebud is the guy's sled" joke at least five times. I never really saw the humor in it. Maybe that's because I've never actually seen Citizen Kane, but something tells me that even if I had, I still wouldn't find it funny.

And what do Wakko, Yakko (voiced by Rob Paulsen), and Dot (voiced by Tress MacNeille) do with the sled? They set it on fire. "Hey, what do you want from US? We're freezin' here!" Yakko says. Okay, that's kind of funny I guess. Then we get a close-up of the burning sled and hear an Orson Welles-esque voice whisper, "Rooooooooooosebuuuuuud..." just in case you didn't get the joke. Yeah, yeah, I get it, Citizen Kane exists, there's a sled in it, nyuck nyuck nyuck...

Of course you're freezing, Yakko. You're sitting pretty far from the fire and IN THE SNOW. Move
an inch closer at least!

For some reason, this movie isn't actually canon to the Animaniacs TV show (assuming that show had a canon in the first place, I mean). There's no Warner Bros. movie lot, there's no water tower, there's no Acme Labs, there's no... whatever other locations were featured in the show's segments. Instead, everyone lives in a small village in the foothills of the old river valley: Acme Falls. It's a charming little town filled with happy inhabitants, among them a butcher, a baker, a candlestick maker, and a mime whose entire purpose is to serve as an excuse for the writers to make jokes at the expense of mimes. I gotta ask, does ANYBODY actually like mimes? I've always found them creepy myself...

Well, MOST mimes I find creepy. I don't have a problem with this guy.

According to narrator Tom Bodett, Acme Falls was part of a peace-loving, picturesque little country called Warnerstock, ruled by the good King William. Everything was great until King William passed and Warnerstock was overthrown in a hostile takeover by the nation of Tictockia. Their main export: incredibly short videos! See, I can make pop culture references too. Doesn't make me funny.

Speaking of pop culture references, this whole thing is a parody of Warner Bros. merging with Time Inc. in 1990, although Time didn't exactly take over Warner Bros. I don't know if things got crappier for Warner Bros. after that (or at least any worse than what's been going on with Warner Bros. since they merged with Discovery), but they sure did after this movie was released. Did the writers of this film know something that everyone else didn't?

If this movie had been made nowadays, the name of the other country would probably be
"Zaslavia" or something like that.

The new king of Warnerstock is King Salazar the Pushy (voiced by Paxton Whitehead), who vows to rule with a tight fist. The international community doesn't support his regime, and the country's fortune plummets. Salazar's solution, of course, is to go all Prince John and start taxing the heck out of the every city and town in Warnerstock - including Acme Falls, which winds up having to deal with the King's tax collector: Baron Von Plotz (Frank Welker), as well as his minion, Ralph (also Frank Welker).

Making Plotz and Ralph villains is a bit strange to me... I know Plotz was a jerk in the show, but I would hesitate to call him EVIL. And Ralph? He wasn't a bad guy, he was just doing his job. What else could they have done? Maybe they could've given Plotz's role to one of the many antagonists the Warners faced off against in their segments, like that guy in the one where they're on an airplane or that bear who was conning people at his garage sale... but I guess they needed to work Plotz into the film SOMEHOW.

This character is from a Warners segment too: specifically, the segment "Toy Shop Terror" from
the show's fiftieth episode.

Soon the once-prosporous town of Acme Falls is poor, and everyone who lives there is miserable - especially Yakko, Wakko and Dot, three orphans living on the street since the orphanage shut down. They're so miserable that they decide to sing about it.

As I said at the beginning of this review, Animaniacs is known for its great songs: if you know the capitals of all fifty states, it's more likely than not because of Randy Rogel and Jess Harnell. This song apparently was not written by Randy, or at least the lyrics weren't, and it shows. Though, to be fair, it's probably hard to write a good song where the lyrics are basically just complaining about how much life sucks.

I do like the lyric about how the orphanage had "hot and cold running dirt" in its faucets, at least.

All of the other characters join in the song to complain about their lot in life too - all of the shops are closing, they have no money, and apparently Salazar's presence makes the temperature cold all the time. Wakko insists that they just need to "cheer up and never ever give up hope".

This is also where we get the film's first "LOL we said something dirty and then pointed out how dirty it is" joke, Animaniacs' OTHER go-to source of humor when it couldn't think of an actual joke to make - Skippy (Nathan Ruegger) complaining that his nuts are frozen. This is a joke that COULD be funny, but there's something about it that sucks out the comedy. Maybe it's the delivery? Maybe if Slappy (Sherri Stoner) just SAID the line "Be careful with that last verse!" instead of SINGING it, it would've been funnier? Or maybe it would've been funnier if it was revealed that Skippy was holding a giant block of ice with nuts in it AFTER he said the line? It's like, you get what the joke is, but something's just off about it that you can't put your finger on. But what do I know? This very blog should demonstrate how little I know about comedy.

Maybe the "Be careful with that last verse!" part is the problem. It's almost like they're explaining
the joke.

The other characters have more to worry about than just the taxes, mind you. Dr. Scratchensniff (Rob Paulsen) is trying to sell his new elixir, but nobody's buying. The Brain (Maurice LaMarche) wants to - you guessed it - take over the world, but the low temperatures are preventing him from doing so. For some reason. He could figure out a way to send Salazar and Plotz to the Amazon, where they'll A) be far away from Warnerstock and B) probably wind up eaten by a jaguar, and the people would probably be so grateful that they'd make HIM king if for no other reason than because he couldn't possibly be any worse than Salazar. But nope, instead he just sits there watching Pinky (Rob Paulsen) make ice sculptures out of his spit.

As for Slappy and Skippy, their tree isn't growing acorns, so they have to eat frozen creamed spinach... even though squirrels do eat things other than acorns, even if they don't have any money to buy other food surely they can forage for fruit or fungi or just peel the bark off their tree and eat THAT. Or, here's a suggestion for everyone: just MOVE. Pack your things and move to another country. What, did Salazar put up a giant wall around Warnerstock to keep you from leaving?

So because everyone in Acme Falls is too dumb to consider just LEAVING Warnerstock (surely Pinky and the Brain could sneak out of the country without a problem. They're mice, do they even NEED to pay taxes?), they all just continue to hope that things will get better. They do not, even after an entire year. And just to add insult to injury, Dot needs an operation. Why? Even Yakko and Wakko admit that they're not sure. Eventually, Wakko heads out into the world for about a year to seek his fortune and bring some money back to Acme Falls. If you can take a train out, I guess that torpedoes the "Salazar put up a giant wall to prevent anyone from leaving Warnerstock" idea, which leads me to ask why everyone in town doesn't just hop aboard the train and ride it to another country. Unless Wakko only went to other cities and towns in Warnerstock to get some money (which doesn't seem likely, if the entire country is being taxed to the brim it wouldn't be a good idea to seek money anywhere else in it), why does nobody think of this?

Heck, why don't they just REVOLT? Form an angry mob, beat the crap out of Plotz, then go to
Salazar's castle and pulverize HIM too?

The entire town waits for Wakko to return. By the following winter, they're still waiting. Meanwhile, Pinky has started dating a horse, Pharfignewton, and Brain does not approve of this. What would the children look like?

If Brain thinks that PINKY being in love with a horse is strange, just wait until he hears
about Bronies...

Eventually, the train returns to Acme Falls, and everybody sings another lousy (but, mercifully, short) song about it. And when it pulls into the station, Wakko reveals to everybody his fortune: a ha'penny!

Does anyone else hear crickets chirping?

That's it? He's been out working, earning money, for a whole year and all he's made is half a cent? Who was he working for, Mr. Krabs? Well, even though it's very little, everyone in town is very impressed by Wakko's ha'penny, which he made by chopping wood, chopping suey, and pitching horseshoes and hay. I can't tell if we're supposed to find this uplifting, depressing, funny, or some combination of all three.

Everyone is so happy that Wakko has a ha'penny that they launch into another musical number! Say, remember that episode of Animaniacs where they did a parody of Beauty and the Beast? Their parody of the opening song, "Belle", was mostly just them singing about how bad the lyrics were and how the characters were singing way off-key. And now here they are, basically having the characters from the show act like the villagers from Beauty and the Beast, singing far worse songs that are very clearly inspired by songs like "Belle". Don't throw stones if you live in a glass house, Animaniacs.

Well, at least they're letting the mime participate in the song.

And now Wakko can use his ha'penny to repair the water tower shed that he and his siblings are living in... wait, I thought they were living on the street. Or maybe he can use it to pay for Dot's operation.

Ralph tells Plotz about Wakko's ha'penny, and much like a falcon swooping down to grab a vole in its talons, he swoops in and snatches the ha'penny, claiming that it's for taxes. I'm not sure WHY Plotz takes such pleasure in taxing the citizens of Acme Falls, considering that HE'S not the one getting the money, Salazar is. Unless he's actually been hoarding the money for himself, but wouldn't Salazar have noticed that by now and fired him?

And why on Earth are the Warners just taking this? Heck, why haven't THEY tried to fight Salazar? They're the Warner Siblings! Go to his castle and give him the "special friend" treatment! Clobber him with a giant mallet!

Oh, right, I forgot that the king's guards have big, scary GUNS. Somehow, I don't think the Warners would let that stop them. The ACTUAL Warners, not the pathetic, cynical Warners from the reboot.

Well, at least this isn't as pathetic as Space Jam's turning Bugs Bunny into a total wimp who's terrified of five dimwitted aliens because they have ray guns, needs the help of Michael Jordan and the other Looney Tunes to defeat them instead of just thinking of a way to trick them into blowing themselves up in five minutes as he generally does to his foes, and eventually needing to be saved from a DOG as well.

Check out that one guard with the skin tan and the mustache. He's the only one who
doesn't look like a clone of the others.

Heck, the guards shoot the Mime with their guns and he shows up alive and well later on, so apparently their guns don't even do anything. So what exactly are Yakko, Wakko and Dot afraid of?

After another song, we see Yakko tucking Dot into bed. She asks to be told "the story" - NOT the one about the man from Nantucket, but the one about how she was born. According to Yakko, once upon a time a brave night married a beautiful princess and they had two sons. But they wanted a daughter, too, so they planted flowers all over the kingdom. And on the first day of spring, every flower in that garden bloomed, and out of the prettiest flower came Dot. When I turned the movie on, I expected to find this scene incredibly sappy... and, yeah, it is, especially for Animaniacs, but I don't hate it. Maybe it's because of Rob Paulsen and Tress MacNeille's performances, maybe I'm just soft, maybe it's because I'll gladly take this over the mean-spirited bits in the original show and the reboot... yeah, it's probably just because of Rob and Tress' performances. They're two of the most talented folks in the biz.

Although I can't help but wonder if this stuff about Dot being born from a flower is true or if it's just Yakko avoiding having to tell Dot where babies come from. And I know we're probably just supposed to ignore the fact that in the show, the Warner Siblings are in-universe cartoon characters who were created by being drawn on an animation cel, but that just raises further questions about this movie's weird continuity.

Were Yakko and Wakko born from flowers too?

"If I'd only earned more..." Wakko laments. Yakko insists that they'll pay for Dot's operation some other way, then after he goes to bed, Wakko has a seat at his makeshift harp and starts singing "Twinkle, Twinkle, Little Star" to the stars in the sky overhead. This somehow causes one star in particular to start glowing brighter and brighter, and then a beam of green light appears in front of him. The beam of green light turns out to be Ben Stein's character from the show, Pip - here some sort of fairy who's there to grant Wakko's wish (I swear I didn't do that on purpose).

"Bueller?"

For those of you unaware, Pip's first appearance in the show was in the segment "Chairman of the Bored" - the Warners met him at a party and took turns having to stand there shaking his hand while he blathered on about whatever crap came to mind, which made them incredibly bored. Apparently the writers of this film thought it would be HILARIOUS to do that again. And by "do that again", I mean do the EXACT SAME JOKE, with Wakko doing the EXACT SAME THINGS to get out of having to shake Pip's hand that Yakko did in the segment (using a crowbar, attempting to chew his arm off, etc.). All you're doing is reminding me that I could be watching that segment instead of this, movie.

Actually, Pip's not going to grant Wakko's wish himself - the Wishing Star will do that. Or rather, it'll randomly fall out of the sky like a comet and land somewhere far away but still within traveling distance from Acme Falls. Because it can't just land in front of Wakko, it just HAS to make things needlessly difficult. And if somebody ELSE gets to the Wishing Star first, that means no wish for Wakko.

We also get to hear Ben Stein sing. It's not quite as cringe-worthy as it sounds, but
I'm not expecting him to release an album anytime soon...

Wakko tells Yakko and Dot, and the next day they find a sleigh/boat they can use to get to the Wishing Star. I know this is a minor thing, but it's always bothered me that Dot just sits in the sleigh and doesn't help Yakko and Wakko push it. How lazy!

And don't tell me you can't help because you're sick. You're acting like you're in perfect health
right now!

They wake everybody up with their singing, and their little song turns into "Hungarian Rhapsody" with lyrics. They're not the first to give this song lyrics, but of the attempts that I've heard, I'd say this is the weakest. It has the same problem as the first song in that they're trying to cram too many words into each line, and with how fast the song moves, it results in a very frantic calamity of noise. Lin Manuel Miranda's work this is not.

Of course, when everyone else hears about this "Wishing Star", they all want to get their hands on it and have their wish granted too. Slappy and Skippy take to the trees, Rita (Bernadette Peters) and Runt (Frank Welker) hitch a ride in Scratchensniff's wagon, Pinky and Brain build a flying machine (despite Pinky's claim that if they were meant to fly, they would have been born with little bags of nuts). Even Mindy (Nancy Cartwright) and Buttons (Frank Welker), who haven't shown up until now, get involved - Mindy's mother (Tress MacNeille), who's dressed like Snow White for some reason, tasks Mindy with bringing her grandmother a pie and Buttons with making sure Mindy gets home safely (and to make sure she doesn't run into any big bad wolves). Mindy just gives the pie to Buttons and then starts following Slappy and Skippy.

This is why you shouldn't leave the job of watching your toddler up to a dog and nobody else.

Who's gonna get to the Wishing Star first? I  have a pretty good idea, seeing as the name of this movie isn't "RALPH'S Wish" or "SKIPPY'S Wish"...

In the meantime, Plotz and Ralph have been brought by the guards to King Salazar. He knows about the Wishing Star, and he wants Plotz and Ralph to make sure nobody gets to it before he can touch it - ESPECIALLY not the Warners. This leads to yet another song. Jeez, does EVERY scene in this film need to have a song in it?

King Flava Flav in the house, y'all.

Not only that, but he wants Plotz to straight-up kill the Warners. Plotz is horrified by that, but there's no arguing with Salazar. Then after Plotz and Ralph leave, King Salazar orders the captain of the guards (Jeff Bennett) to send the northern army to secure the area where the star fell - and to bring him the Goodfeathers, who also work for him. What use does a tyrant have for pigeons? Well, I suppose he could always send them out to crap on the heads of anyone who refuses to pay their taxes...

Or peck their eyes out, either or.

Salazar orders Squit (also Maurice LaMarche), Pesto (Chick Vennera), and Bobby (John Mariano) to follow Plotz and make sure he does his job. When the pigeons fly off, they decide that they're fed up with the king treating them like garbage and that they're gonna use the Wishing Star themselves to get some respect. Or they can just fly off to another country where Salazar won't find them, just an idea...

The pigeons sing, and then we get ANOTHER song immediately after that. This song at least has an actual purpose, it allows us to learn what everyone aside from the Warners wants to wish for. Brain wants to rule the world, Pinky wants Pharfignewton to have his babies, Plotz wants to be king, Rita and Runt want a home, Hello Nurse (Tress MacNeille) wants people to appreciate her for her mind and not just her looks, Dr. Scratchensniff wants people to buy his elixir, Slappy wants to just relax in a giant acorn tree and be left alone, Skippy wants some friends his age, and Ralph isn't quite sure what he wants until the end of the song: what he really wants to do is direct!

Eventually, the Warners arrive at a rickety rope bridge across a chasm, because that's the only type of bridge they have in cartoons (aside from those bridges that rise up JUST as you're about to drive over one). We get a reference to Vertigo - y'know, for all the three people watching this who even know about that movie. And once again, lazy Dot just sits in the sleigh while Yakko and Wakko pull it across. Don't give us that "but I'm sick" excuse, Dot. A few scenes ago you were dancing around with clearly nothing wrong with you whatsoever.

This is why you're my least favorite Warner Sibling, Dot.

One sequence of everyone crossing the bridge later, the Goodfeathers smash into Pinky and Brain's flying machine, and when Pharfignewton (who's pulling Scratchensniff's wagon) sees them falling, she rushes to the rescue. While this is going on, Ralph attempts to murder the Warners, and a big crazy chase sequence starts up. Among the chaos, Runt and Buttons manage to blow up Plotz's wagon, the Warners do some snowboarding, Pinky is reunited with his equine love (who attempts to eat Brain), and some of Scratchensniff's elixirs are mixed, creating something very tasty. Wakko, upon drinking it, unleashes a massive burp... that causes an avalanche because of course it does.

On the bright side, the avalanche carries the Warners right to the Wishing Star (which looks more like the sun fell out of the sky and landed in the snow). They start singing AGAIN... in the words of Slappy Squirrel, enough with the singin' already. But then Salazar and his guards show up, and everyone is taken prisoner, even Plotz and the pigeons.

And now that the Warners are face-to-face with the villain, it's time for them to actually act like the Warners and not just generic 1990s animated film that wants to be Disney but isn't main characters.

Heck, they're acting more like the Warners here than they ever did in the reboot!

Salazar orders that the Warner Siblings be executed... again, I know we're supposed to ignore that in the show they're in-universe cartoon characters, but how exactly does one kill Yakko, Wakko and Dot? This isn't a Roger Rabbit sequel so somehow I doubt Salazar has any Dip. But then Yakko brings up that they know secrets about the star that HE doesn't...

This is, of course, a lie. It's just an excuse for the Warners to give Salazar the "special friend" treatment. But Salazar has ways of making them talk: he puts them in a mine cart and sends them through a cave full of their worst nightmares. Which leads to MORE JOKES RECYCLED FROM THE SHOW. Remember that Jerry Lewis parody director who appeared in a few episodes? He pops up here again! And that gag in "Potty Emergency" where Wakko went into a gas station bathroom and was horrified by it, wasn't that hysterical? Let's do it again! And the Barney parody, let's have HIM make an appearance!

Even if we ignore that they're just rehashing the exact same jokes from the show, except not funny (the Barney parody was funny because Yakko, Wakko and Dot were more just unnerved by him than straight-up TERRIFIED like they are here), if this isn't in the continuity of the actual show, why are the Warners afraid of these things and how does Salazar KNOW that they're afraid of these things? And were people even still making anti-Barney jokes in 1999? Well, maybe they were, I don't know, but surely there are other things you can poke fun at.

How about the Teletubbies? They're a lot creepier than Barney...

After the Cave of Jokes From the Show Rehashed Here, the Warners are willing to tell Salazar all of their bullcrap secrets. Yakko says that you have to be really specific with wishes so they're not twisted into ways that backfire on you. You wish for the world? You'll get a globe (somebody should tell Brain that). You wish for youth and beauty? You get a kid riding Black Beauty. You wish for two million bucks? You get a bunch of deer. You wish to be able to fly? It'll probably turn you into a sugar glider or something. It's like with genies, you gotta choose your words carefully.

Eventually, Salazar decides to have the Warners executed again, but the captain of the guard can't bring himself to do it because he thinks Dot is just too cute. By the way, the captain of the guard is also a parody of Dennis Hopper and this is another joke recycled from the show. When Salazar finds out that the Warners escaped, he is MAD! Especially since they're running towards the Wishing Star! But wait, Dot keeps stopping to cough - that illness she's got has returned with a vengeance! Of all the times it could've kicked in...

Salazar orders the guards to fire a cannon at the Warners. Yakko and Wakko manage to get away, but Dot isn't so lucky.

And, oh boy, here we go. This is the scene that I think of whenever I think about this movie. The big, dramatic scene where Dot is killed. Coughing and weak, she begs Yakko to tell her the story one last time. So they do the story and everyone around them makes sad faces, even Salazar.

So, yeah. Dot dies. I'm sure THIS got a big laugh out of the kids watching at home. Animaniacs is supposed to make us laugh, right?

Wakko runs to the Wishing Star, everybody starts singing again, and as soon as he touches it, Dot wakes up - apparently, she was just buying time for Wakko. Y'know, as obvious as it is that they're not actually gonna kill Dot, even Khumba pulled off the "everyone thinks they died but they're actually alive" cliche better than this.

Oh, hey, Ben Stein is back. Please don't start singing again...

So what does Wakko wish for? Not one, but TWO ha'pennies. Personally, I would've wished for world hunger to be solved, but that's just my dumb opinion...

Everyone heads back to Acme Falls so Wakko can spend his two ha'pennies. With one, he pays for Dot's operation... or rather, her plastic surgery. She just wanted to get a beauty mark on her cheek. So, I guess she wasn't really sick? Or did she just have a headcold or something?

Dot mentions Cindy Crawford because mentioning a celebrity is automatically hilarious... oh, wait. No it isn't. I suppose I could take this moment to list every single cartoon character who is much cuter than Dot, but nah, let's just wrap up the review.

With the ha'penny that HE earned from Dot's operation, Scratchensniff buys all the ingredients for his new elixir and takes in Rita and Runt, who mix the ingredients together. Hello Nurse comes up with a new bottle design for the elixir - one with a curvier figure. While Scratchensniff heads off to market with his new drink, Wakko buys something from every store in town (and season tickets for the Lakers). Everyone prospers! And Slappy's tree starts growing acorns again in the spring, and Skippy makes some new friends, including a very attractive young female squirrel. "He used to like nuts, now he's discovered dates," Slappy says.

Behold, the rare Creamsicle-Colored Squirrel.

Buttons returns Mindy home safe and sound, and is rewarded with a platter of steaks.

You're a good boy, Buttons.

Rita and Runt have a happy home with Scratchensniff, whose elixir is renamed "Scratchy Cola" and is a huge success. Hello Nurse is the CEO of the company and is now appreciated for her smarts. Plotz becomes king... of a burger joint chain as opposed to a whole kingdom, but he's happy.

He was, however, eventually asked by McDonald's to redesign the windows. Something about
copyright infringement...

Ralph gets a job directing traffic. Even the pigeons get their wish - they're perched atop a statue of the Warners, which means that people are looking up to them. Speaking of the Warners, the hospital tracks down their birth certificates, which proved them to be of royal heritage. Their parents? The very strange-looking king and queen of Warnerstock!

This means that Yakko, Wakko and Dot are heirs to the throne. Salazar sent them into exile back when he took control of the throne. He is promptly kicked out of the palace and mauled by dogs. Pinky is appointed royal stable-mouse so he can stay close to Pharfignewton, a job given to him by Brain, who is the Warners' advisor and prime minister - but he's got big plans for the sequel. Nobody tell him that the sequel was never made.

So in the end, everyone gets their wish... except for the Mime, assuming he even HAD a wish. To close out the film, the characters sing another song and spin the Wheel of Morality. Can you guess the moral of today's story?

A) Just cheer up and never ever give up hope

B) Brush your teeth after every meal (this message brought to you by the American Dental Association)

OR C) Films shouldn't have more than ten musical numbers

Of course, it's A.

Hey, wait, did the Hippos have THEIR wishes granted?

What's the Verdict?

I had very low expectations for Wakko's Wish going in, but I honestly don't think this is a bad movie. However, I wouldn't call it a good movie either. Let me start off by saying what I DID like about it. The animation is pretty good, although the use of digital ink and paint for these characters is pretty jarring since the show didn't do it. The voice actors are all on their A-Game - even though Jess Harnell's character is the one whose name is in the title, it's Rob Paulsen who's carrying the film on his shoulders, but EVERYONE does a good job.

Now, what DOESN'T work about the film? Its first problem is, quite frankly, what it's TRYING to do. I'm not the first person to point this out, but... Wakko's Wish is trying to be a Disney-esque feel-good heartwarming animated movie with moments that tug on the heartstrings and lift your spirits. Animaniacs is a zany sketch comedy, this is not the kind of movie you should be trying to make with its characters. What's more, the film desperately tries to be a wacky, fast-paced jokefest at the same time, almost like it thinks that it's a PARODY of Disney-esque feel-good heartwarming animated movies... except that since they're playing all the cliches these movies have completely straight, it's not a parody at all. Instead, they just throw in gags after the emotional moments that just wind up undercutting them. One minute we're seeing the Warners messing with the villain and it's all yuks and hilarity, the next Dot dies and it's played up as this big sad moment... and then Dot immediately wakes up and we get a joke about her taking acting lessons.

Okay, fine. Are the jokes at least funny? No. This film had five writers, one of whom was the show's creator Tom Ruegger and the other four worked on the original show, so you'd expect at least ONE chuckle. Instead, we get a parade of lame pop culture references, jokes recycled from the show that don't work out of context, and - again - repeated attempts at making light of the dramatic moments that basically ruin them.

The characters are there, but they feel oddly watered-down. Most of them are just there to contribute a line or two in the musical numbers and not much else - the sole exceptions being the Warners and Pinky and the Brain, but even THEY'RE not funny here. The Warners, in particular, are not "zany to the max" here or fun to watch because they've basically been shoehorned into the roles of these poor, powerless underdogs who need to fight for a better life (basically any other protagonist from an animated movie made in the 1990s)... roles that they don't fit. And despite the name of the movie being "WAKKO'S Wish", he doesn't get much focus at all, I feel like Yakko and Dot both had more lines than he did. The villain, despite Paxton Whitehead's great performance, is pretty uninteresting too. And did I mention how bad the songs were? The lyrics are clumsy, they're not well-sung (and Rob Paulsen, Jess Harnell, and Tress MacNeille CAN sing, so I'm not sure what happened here), and maybe it wouldn't have been so bad if there weren't SO MANY OF THEM.

There was clearly a lot of heart and passion put into this, far more than there was in the reboot, and maybe that's why I'm not being harder on it. But my recommendation is to simply watch episodes of Animaniacs instead. Maybe these characters just weren't meant to carry a full movie.

By the way, I should probably acknowledge that the Tumblr blog "Hello, Nice Warners", which reviewed every episode of Animaniacs, did a three-part review of the movie in January 2014. I'm well aware that I probably wound up repeating most of the same points they brought up in their review, but hey, when has being unoriginal ever stopped me before?

Wednesday, November 5, 2025

Did You Know? - Fun Facts About "Aladdin"

Welcome to another edition of a series that I like to call Did You Know?. Inspired a little by the Nostalgia Critic's "What You Never Knew" series, this series will allow me to share with you some interesting tidbits, behind-the-scenes information, and fun facts about an animated movie or TV series. Because I like sharing new information with people.

It's been too long since I've done one of these posts. Since I've already done editions talking about The Little Mermaid and Beauty and the Beast, I think it's time I did one about the FOURTH film in Disney's animation renaissance (I'm guessing there aren't a lot of fun facts about The Rescuers Down Under online, so don't expect a Did You Know? about THAT film) - Aladdin.

Aladdin was the highest-grossing animated film of 1992, and for good reason. It's fun, it's energetic, it's colorful, it's one of those animated films that you can't help but love. And a lot of that is owed to the talented cast and crew that brought it to life. John Musker, Ron Clements, Howard Ashman, Scott Weigner, Alan Menken, and Robin Williams, just to name a few, all contributed to the movie's greatness. Like the Genie of the lamp, it's often-imitated, but never duplicated...

My apologies to Will Smith, but he's no Robin Williams.

...and is still one of the most beloved Disney animated films to this day. And it has a lot of history behind it, too.

You probably already know about the falling-out between Disney and Robin Williams. You probably also know that Pinocchio, Sebastian the Crab, and the Beast all make cameos. You likely don't need to be told about deleted songs like "Proud of Your Boy" and "High Adventure". And if you read my previous post about an early draft of the film's script, you probably know all about scrapped characters like Abbi, Aladdin's mother, and his three idiot friends. But did you know any of THESE things?

1) Technically, this wasn't Disney's first adaptation of the Aladdin story. That honor goes to their 1970-released LP, Disneyland Records' Aladdin and His Wonderful Lamp.

It's not even Disney's SECOND adaptation of the Aladdin story. That would be a 1971 LP from Disneyland Records called The Story of Aladdin and His Lamp. Why they released two LPs adapting the same story so close together, I don't know.

2) While Robin Williams was always the filmmakers' choice for the Genie, they did have some backup options in case he turned it down, or if they couldn't convince Jeffrey Katzenberg it was a good idea - Steve Martin, John Goodman, Martin Short, Eddie Murphy, Albert Brooks, Matt Frewer, and John Candy were all considered. What convinced Robin to accept the role was a bit of pencil animation Eric Goldberg did of the Genie set to a routine from one of Robin's comedy albums.

In addition, Danny DeVito and Joe Pesci were considered for the role of Iago. Patrick Stewart was offered the role of Jafar, but he turned it down due to scheduling conflicts with Star Trek: The Next Generation. Tim Curry, Kelsey Grammer, Christopher Lloyd, Ian McKellen, and John Hurt were also considered to voice Jafar.

3) Y'know all those animals and servants that appear during the "Prince Ali" sequence? Where the heck did they all come from? Well, according to a deleted scene, the Genie created them by transforming bugs, rodents, stuff like that.

Concept art of a devious-looking Aladdin and Jasmine.

4) Initially, Aladdin was modeled after Michael J. Fox. Jeffrey Katzenberg urged the filmmakers to make him look like Tom Cruise. "In all his poses, I noticed there was a confidence, a look in the eyebrows, that gives him intensity and at the same time a smile that has kind of an impish look, like he’s got something up his sleeve," said Glen Keane, Aladdin's supervising animator. He also found inspiration for Aladdin while observing and sketching volleyball players at the beach. Meanwhile, Will Finn, the supervising animator for Iago, designed Iago by drawing a caricature of Gilbert Gottfried and adding feathers (Iago shares Gilbert's squinty eyes and toothy grin). For Jasmine, her supervising animator Mark Henn had two inspirations - his sister Beth and actress Jennifer Connelly. And Aaron Blaise, the supervising animator for Rajah, had difficulty with "the fluidity in the design" until he looked at a Jaguar hood ornament.

5) The film's art style as a whole was inspired by Al Hirschfeld. According to Eric Goldberg, "I look on Hirschfeld’s work as a pinnacle of boiling a subject down to its essence, so that you get a clear, defined statement of a personality. There’s also an organic quality in the way one line will flow into another: It may go along the back of a neck, down the spine, across the behind and the down the leg--all in one single line that is very, very elegant. I wanted the Genie to have that kind of elegance."

Al Hirschfield himself said, "I’m very flattered that the animators say they were influenced by my use of line, but art isn’t a 50-yard dash - it’s more like a relay: You keep handing it on to somebody else, and there’s no beginning or end to it. I didn’t invent the line: That simplification that communicates to a viewer goes back to the cave drawings at Altamira."

Concept art for the Genie - the one on the left is the same design Eric used
in the aforementioned pencil test.

6) It's hard to imagine anyone BUT Eric Goldberg - one of my favorite animators - animating the Genie, but before him, the job was offered to independent animator Bill Plympton. "You know, the Robin Williams Genie that does all this crazy stuff. Because I was so good at transforming the head, like in Your Face. They wanted me to do some of that with the Genie," he explained. "But, I had the studio in New York. I had people that I'd have to fire and I'd have to shut down the whole operation." And he was already working on a film called The Tune at the time as well, so he turned Disney down.

"And I say if you want to work for Disney, go ahead," he added. "It's a great opportunity. I'm always the first in line to see a Disney or PIXAR film, because they're really wonderful. But every morning when I get up and I go to my drawing board and I start drawing and there's no one looking over my shoulder saying, 'We don't like that, change it, please,' I say I can draw whatever I want, and to me that's worth more than a million bucks."

Concept art of the film's main characters, including Aladdin's mother, who wound
up getting cut.

7) Here's another interesting anectdote about Katzenberg - remember that scene where Abu, after being turned into an elephant, climbs up a tree? In a test screening, Katzenberg complained the accompanying sound effect was "much too cartoony". He later complained that there weren't enough pounding noises during the scene where Elephant Abu climbs up the palace stairs.

8) Caricatures of the film's directors, John Musker and Ron Clements, can be seen in the crowd watching Prince Achmed. Originally, this scene was going to have an appearance from caricatures of film critics Gene Siskel and Roger Ebert, but the filmmakers thought they would need to get permission to do that.

More concept art for the Genie.

9) John and Ron aren't the only caricatures in the film. There are actually quite a few, all of them were designed by animator T. Daniel Hofstedt. A few appear during the "One Jump Ahead" song - the jewelry vendor is clean-up artist Marshall Toomey, the fire walker is a CalArts teacher named T. Hee, and Crazy Hakim the fertilizer dealer is animator Tom Sito. Going back to the crowd watching Prince Achmed, there are also caricatures of Eric Goldberg, Glen Keane, and T. Daniel himself with his three-year-old son Daniel.

Another caricature appears at the beginning of the "Friend Like Me" song. One of the Forty Thieves that the Genie summons is a caricature of effects animator Dorse Lampher (he's the tall, pear-shaped one with bare feet and a small sword).

10) Are you familiar with Disney's 1959 live action film Darby O'Gill and the Little People? Well, that film actually had a bit of influence on Aladdin.

Let's be honest, most of Disney's 1950s live action films
would be at least slightly more well-known if they were animated.

You see, screenwriters Ted Elliott and Terry Rossio were in a meeting with Ron and John. Ron and John asked if the Genie should be able to grant an unlimited amount of wishes like in the original story, or if it should just be three. According to Terry, "Going down the path of unlimited wishes (which they had done) created what we deemed an 'addiction story' paradigm. Aladdin wishes for more and more stuff, which starts out fine, but eventually gets out of control, and he can't stop - essentially an addiction tale. But limiting the wishes to only three would make each wish crucial, have story purpose, and enhance the opportunity for drama."

What does this have to do with Darby O'Gill and the Little People? Easy - that film was exactly what Terry was thinking of when he was explaining this to Ron and John. I haven't actually seen the film, but Terry filled us in on what happens in it. Darby O'Gill captures the King of the Leprechauns, Brian Connors. And that means Brian has to grant him three wishes. He says, "Three wishes I grant you, great wishes and small, but if you wish for a fourth, you lose them all!" So eventually, Darby's daughter is injured and going to die, and Darby wishes that he could take her place and die instead. And as he's being carried away to the land of the dead in a spectral coach, Brain appears and tricks Darby into making a fourth wish - wishing that he could see the aforementioned daughter get married. And remember that "if you wish for a fourth, you lose them all" thing Brian said earlier? Well, by making that wish, Darby forfeits the other three, and he doesn't have to die.

Terry pitched that they could create a similar crisis for Aladdin if they limited the number of wishes. And wouldn't you know it, Ron loves Darby O'Gill and the Little People, so...

Concept art of Aladdin and Abu. Somebody make Abu stop staring at me.

11) Here's another thing that Terry informed us - why can Iago talk? According to him, the idea was that Jafar took all of his emotions and transferred them into his parrot, leaving him free of distractions and thus more able to conjure magic... but Iago is too small for so many emotions to be bottled up inside, so Jafar wound up with a loud, hot-tempered Angry Bird.

12) As you might recall, Howard Ashman and Alan Menken's original treatment for the film took place in Baghdad. The reason why the final movie doesn't take place in Baghdad? The first Gulf War. Roy Disney told the crew that they couldn't have the film in Baghdad, so John Musker did a "jumbled anagram" and came up with Agrabah.

Concept art for Jafar.

13) So, back to that "three wishes makes for better drama" thing... the story requires Aladdin to use his second wish before the third act starts up so he'd have to decide whether to use his third wish to sort out his own problems or free the Genie like he promised. So somebody came up with the idea of having Aladdin use his second wish to get through some sort of obstacle course designed to test Jasmine's suitors so they could prove they were worthy of being her husband. Alas, the idea didn't work out, and they decided to just have Jafar somehow convince the palace guards to help him throw Aladdin off a cliff and as a result Aladdin has to use his second wish for the Genie to save his life.

14) An early version of the climax was to have Jafar wish not just that he was the sultan, but that he'd ALWAYS BEEN sultan and would always be the sultan, resulting in some sort of magic wave that changed everyone's memories. The magic carpet would wrap itself around Aladdin and Abu and protected them from the wave, so they'd be the only ones whose memories were unaltered. Aladdin would, as in the finished movie, put everything back to normal by tricking Jafar into the lamp. They decided it was "too science fiction-y".

15) Before Aladdin, Robin Williams starred in the Back to Neverland attraction at Disney-MGM Studios (now Disney's Hollywood Studios), a theatrical show about animation. The Genie's outfit at the end, with the hawaiian shirt and the Goofy hat, is a reference to that attraction - Robin wore the same getup at the beginning.

Here's a screencap from Back to Neverland with Robin in his tourist getup.

16) The "Friend Like Me" sequence was the first scene to be animated. In fact, the animation had already been done before they decided to make Aladdin look more like Tom Cruise, so he looks a bit more Michael J. Fox-ish during the scene.

17) The filmmakers went through a couple different songs for Jafar to sing before deciding on his reprise of "Prince Ali". The first was called "Humiliate the Boy", and you can find an animatic for the song on YouTube where Jonathan Freeman voices both Jafar AND Iago (who was originally going to be British, apparently). Then they came up with a song called "My Time Has Come", in which Jafar lamented how much his life stunk and how he was going to make everyone miserable in revenge. Also written for Jafar were "Why Me?" and "My Finest Hour".

Concept art for Iago.

18) As you likely already know, Robin Williams also voiced the Peddler at the beginning of the film. For the scene where the Peddler offers us some of his wares (would YOU buy that combination hookah and coffee maker that also makes "Julienne fries"?), Robin was brought into the soundstage, positioned in front of a table where there were a bunch of random things covered by a sheet, and told to just ad-lib everything.

19) Gilbert Gottfried was allowed to improvise a lot, too. Remember Iago's line as he's packing his bags after Aladdin reveals to the Sultan that Jafar has been hypnotizing him? "I'll bring the guns, the weapons, the knives... and how about this picture? I don't know, I think I'm making a weird face in it." That was an ad-lib, and it got a laugh out of Robin when he heard it.

20) You know that kid from the marketplace who Jasmine gives an apple to? He's got a name. It's Tony:

Credit for this goes to havesomedisney.tumblr.com.

21) You probably recall that the Genie briefly dons a tux and acts like a game show host before turning Abu into a camel. For the movie's release in India, Disney swapped this out for the Genie becoming a "cricket commentator" (don't know if that means a cricket who does commentary or a commentator at a cricket GAME).

22) "A Whole New World" was originally called "The World at My Feet". Tim Rice suggested to Alan Menken that having the word "feet" in a Disney love song wasn't such a good idea.

23) Y'know how the Beast makes a cameo in the film as one of the animal figurines that the Sultan is stacking just before the "Prince Ali" song? Well, he's not the only cameo in there. Somebody on Reddit revealed that, if you look very closely, you can also see the back of Donald Duck's head (it's under the deer and to the left of the pink rhinoceros):

I've also heard claims that Simba from The Lion King is hidden among the animal figurines as well, but I don't see him.

24) While animating the Magic Carpet, Randy Cartwright kept folding a piece of cloth to see how to position it.

25) The movie actually has a color scheme inspired by its desert setting: blue (the color of water) represents good, red (the color of heat) represents evil, and yellow (the color of sand) represents neutral. Notice that Jafar is clad in red and blacks and is entirely red when he becomes a genie, whereas Jasmine wears blue and the Genie IS blue.

Concept art for Jasmine.

26) Aladdin was the first Disney film to be dubbed in Icelandic.

27) Yes, the Peddler at the beginning is indeed the Genie in disguise. The original plan was to have the Peddler show up again at the end and reveal himself to be the Genie, but they replaced it with the "Genie's face on the moon" ending. The Broadway musical removes the Peddler and simply has the Genie introduce the story as himself.

28) During "Friend Like Me", Genie writes Aladdin's order from right to left - which is how Arabic would actually be written. However, what Genie wrote is actually Persian, not Arabic. Specifically, he wrote "Turkey Pilaf" in Persian to match the Middle Eastern setting. However, the list that Genie pulls out of Aladdin's ear IS written in Arabic.

Here's a very strange piece of concept art for either the Genie or
Jafar. Whoever it's supposed to be, it looks more like Jim Carrey's Grinch.

29) It's often mentioned that Genie is the only character in the movie with four fingers. This is false. You can see some merchants during the "Prince Ali" song that ALSO have four fingers.

30) The Cave of Wonders scene was originally going to be even longer - there was a scene where Aladdin walked up to the lamp and was about to grab it, but then noticed his shadow on the wall... and many more shadows that once belonged to other fools who stumbled upon the cave and tried to grab the lamp (including the thief from the beginning of the film). He would've stepped away from it, and it would've turned out that the lamp was a fake. And because Aladdin didn't take it, he was allowed access to the real one.

31) During preview screenings, there was a distinct lack of applause after the musical numbers. So they gave the Genie an applause sign on his back after "Friend Like Me". It worked!

Concept art of Aladdin discovering the magic lamp.

32) To promote the film, a parade called Aladdin's Royal Caravan marched down the streets of Disneyland and Disney-MGM Studios in Walt Disney World. The first parade at a Disney park based on a single movie, it featured live actors, inflatable costumes, and puppets. Genie was all over the place, Aladdin and Jasmine rode on the back of elephant Abu, and Jafar was at the end - as a street sweeper. For more information about the parade, I recommend checking out Yesterland and Walt Dated World (they're great sites for Disney Parks afficianados like me!).

After its run, the golden camels featured in the parade were placed outside a restaurant in the park called the Soundstage Restaurant, which (at least in 1992) was themed to the movie as well and featured animation cells and concept art hanging up on the walls, marquettes, and I believe meet-and-greets with the characters while you ate. The restaurant eventually closed (it was where the Playhouse Disney live show was during the 2000s), and the camels now stand nearby the Magic Carpets of Aladdin attraction at the Magic Kingdom, continuing to spit on guests. There was also an Aladdin's Oasis dinner show at Disneyland from 1993 to 1994.

33) Jonathan Freeman went on to play Jafar in the Broadway adaptation of Aladdin. He also played Grimsby in the Broadway adaptation of The Little Mermaid.

34) According to Andreas Deja, Marc Davis didn't like that Robin Williams was allowed to ad-lib dialogue for the Genie. He felt that the ad-libbing would date the film (he did, however, tell Andreas that he enjoyed Jafar). On the flip side, Frank Thomas and Ollie Johnson had "a few quibbles with the story" but were otherwise okay with the film. Chuck Jones loved it, calling it "the funniest animated film of all time".

SOURCES:
- http://www.wordplayer.com/columns/wp53.The.Rules.html
- https://cartoonresearch.com/index.php/celebrating-the-25th-anniversary-of-disneys-aladdin/
- https://www.cinemablend.com/news/2552347/that-time-aladdin-songwriter-alan-menken-had-to-cut-feet-lyrics-out-of-a-whole-new-world
- https://www.thewrap.com/aladdin-25th-anniversary-facts-robin-williams-disney-photos/
- https://www.orartswatch.org/bill-plymptons-animated-imagination/